![](https://freight.cargo.site/t/original/i/7ad20130a1398198fdf24596ff90fe7091476b015bb44e150c54de82e3130cf1/Feiglewicz-PeszatKatarzyna3.jpg)
![](https://freight.cargo.site/t/original/i/7a8fd4b330a1f7ccc2c461fd7fcdc5b98301dc083d07df4a22c7b4bd90369a32/Feiglewicz-PeszatKatarzyna4.jpg)
![](https://freight.cargo.site/t/original/i/34fdfbabdf25558c5677669621e72458851f12b77029d87ecb6695e444748a20/Feiglewicz-PeszatKatarzyna1.jpg)
![](https://freight.cargo.site/t/original/i/82435c751fce5cb5283df85faf4a051b3080f34e0784e518593f8236b53df594/Feiglewicz-PeszatKatarzyna5.jpg)
![](https://freight.cargo.site/t/original/i/73ba2259a51b15de505285cd56a8900d3d2118e6cfa7251326aa14adcce9dab3/Feiglewicz-PeszatKatarzyna6.jpg)
Living map, oil on canvas
The starting point for the series was a visual situation I found myself in when traveling in Iceland. Standing on the slope of a hill, I could see the next one right in front of me. Upon experiencing that particular perspective of being “inside” the landscape while simultaneously remaining at a distance, with a wide overview of the scenery, its structure and landform, I named this space “a living map”. Such an ontologically ambiguous space, suspended between dimensions (the reality that surrounds us and its imaging/symbol), inspired my formal experiments within the realm of painting.
ⓒ Katarzyna Feiglewicz 2024